As a plug-in to Photoshop and Lightroom, Exposure gives you the choice of sticking with Adobe’s subscription-based Creative Cloud and still getting the benefit of a tremendous number of beloved film-based presets.
Alien skin exposure x keeps saving spot adjustments software#
This year marks the 25th anniversary of Alien Skin Software A big milestone like that is an opportunity to look back on our history. Bottom lineĪlien Skin Exposure X4 is a streamlined, intuitive image editor with most of the editing controls you need and many more that will give your images an artistic boost. 25 Year Alien Skin Software Retrospective.
Importing images from a camera card offers lots of naming and metadata options. Lightroom users get an extra incentive to ditch Adobe’s subscriptions with Exposure’s new Lightroom Migration Tool, which can convert Lightroom folders to Exposure bookmarks while retaining metadata like flags, keywords, labels and more.Ĭopying images from a camera card into Exposure gives you vast flexibility in naming conventions, metadata, and even the ability to automatically apply presets to the new images, but you can’t preview images before importing them. The app does not display thumbnails of videos stored with images, and they show up as inelegant blank white placeholders. One would assume that means that this is the tenth version, but it has come directly after version 7. For those organizing in Apple’s Photos app, an undocumented workaround lets you peer into the desktop Photos Pictures package and then drag the Masters folder into the Finder Sidebar to make images stored in Apple Photos immediately accessible to Exposure X4. Ease of Use Traditionally Alien Skin have named their Exposure program sequentially, so it's interesting to note that they've done away with tradition and replaced it with an X. Because the app is targeted to more advanced users, Alien Skin assumes that users were organizing photos in Lightroom rather than Apple Photos and the app does not see directly into your Photos Pictures folder.
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